{"version":"1.0","provider_name":"Senza Sordino","provider_url":"https:\/\/www.icsom.org\/senzasordino","author_name":"Peter de Boor","author_url":"https:\/\/www.icsom.org\/senzasordino\/author\/senza_editor\/","title":"The Gershwin Critical Edition | Senza Sordino","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"NFALkC2Md9\"><a href=\"https:\/\/www.icsom.org\/senzasordino\/2016\/03\/the-gershwin-critical-edition\/\">The Gershwin Critical Edition<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.icsom.org\/senzasordino\/2016\/03\/the-gershwin-critical-edition\/embed\/#?secret=NFALkC2Md9\" width=\"600\" height=\"338\" title=\"&#8220;The Gershwin Critical Edition&#8221; &#8212; Senza Sordino\" data-secret=\"NFALkC2Md9\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.icsom.org\/senzasordino\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.icsom.org\/senzasordino\/wp-content\/uploads\/2016\/03\/GeorgeTaxiHorns-Sepia-full.jpg","thumbnail_width":550,"thumbnail_height":600,"description":"With a keen ear for the sounds and slang of Roaring Twenties\u2019 New York City, the Gershwin brothers sparked a revolution in American music that risked aesthetic heresy. Their art crossed boundaries of black and white, popular and classical. They brought the energy and humor of the Yiddish theatre to Broadway. They put slang in... [Read more]"}