{"version":"1.0","provider_name":"Senza Sordino","provider_url":"https:\/\/www.icsom.org\/senzasordino","author_name":"Peter de Boor","author_url":"https:\/\/www.icsom.org\/senzasordino\/author\/senza_editor\/","title":"Utah Symphony and Utah Opera Airflow Study | Senza Sordino","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"k0rpXJ2py6\"><a href=\"https:\/\/www.icsom.org\/senzasordino\/2020\/12\/utah-symphony-and-utah-opera-airflow-study%e2%80%a9\/\">Utah Symphony and Utah Opera Airflow Study<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.icsom.org\/senzasordino\/2020\/12\/utah-symphony-and-utah-opera-airflow-study%e2%80%a9\/embed\/#?secret=k0rpXJ2py6\" width=\"600\" height=\"338\" title=\"&#8220;Utah Symphony and Utah Opera Airflow Study&#8221; &#8212; Senza Sordino\" data-secret=\"k0rpXJ2py6\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.icsom.org\/senzasordino\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.icsom.org\/senzasordino\/wp-content\/uploads\/2020\/06\/KeithCarrick.png","thumbnail_width":250,"thumbnail_height":294,"description":"A scientific approach to orchestra staging In the early stages of planning our return to the stage, Utah Symphony musicians were actively searching for information regarding airflow and aerosols from wind instruments. There were some very preliminary aerosol studies, but none seemed sufficient to answer our most important question: how safe is it to be... [Read more]"}