![\"VAN](\"http:\/\/www.icsom.org\/senzasordino\/wp-content\/uploads\/2015\/10\/vanbeethoven_1_kelleramsey-large.jpg\")
Photo credit: Kelle Ramsey<\/span><\/p><\/div>\n In addition to six free community concerts by both orchestras, including a performance by Youth Orchestra LA (YOLA) alongside SBSOV, there was an all-Beethoven chamber concert, and \u201cMoonlight Sonatas\u201d, co-sponsored by Steinway & Sons, at the Griffith Park Observatory during the lunar eclipse on September 27.<\/p>\n Photo credit: Kelle Ramsey<\/span><\/p><\/div>\n From early September to mid October, VAN Beethoven, a trailer customized with Walt Disney Concert Hall seats and carpet, is touring diverse communities of Los Angeles offering a 360\u00b0, 3D virtual reality experience of the LA Phil performing Beethoven 5. Recorded under the IMA and using Oculus Rift technology, Angelenos will don Oculus goggles and binaural headsets to experience the opening three minutes of Beethoven\u2019s Fifth Symphony from any angle within the orchestra. The VAN Beethoven experience is available as a free app, called \u201cOrchestra VR\u201d, in Oculus and Samsung Gear VR app stores starting in September.<\/p>\n Big Openings in New York State<\/b><\/p>\n The Buffalo Philharmonic Orchestra kicked off its 2015-16 season on September 16th with a bang. Not only did the performance feature Lang Lang as soloist, it also debuted the latest installment in renovations made to Kleinhans Music Hall, which celebrates its 75th season hosting the BPO.<\/p>\n However, perhaps overshadowing all of this, Board of Trustees Chair Louis Ciminelli announced that he was presenting a $1 million gift for the public stage of the Crescendo Campaign. This campaign looks to add an additional $30 million to the endowment. There are already gifts or pledges amounting to $17 million awarded during the silent phase of the campaign. Ciminelli has now donated $4 million to the orchestra\u2019s overall endowment drive.<\/p>\n Lang Lang also performed for another big opening night in New York, this time on September 24th with the New York Philharmonic. This was the first concert in the newly re-christened David Geffen Hall, formerly Avery Fisher Hall, with a naming ceremony at the beginning of the evening\u2019s festivities. Continuing the festive spirit of the evening, the Philharmonic\u2019s new Board Chairman, Oscar S. Schafer, announced his gift of $25 million, the largest single individual donation in the 174-year history of the orchestra. Mr. Schafer said $20 million of his gift would be divided between the endowment campaign and the renovation project, and that $5 million would continue to support the free parks concerts.<\/p>\n Large Gift Kicks off Centennial<\/b><\/p>\n The Baltimore Symphony Orchestra announced that it has received one of the largest single gifts in recent decades, the Baltimore Sun<\/i> reports. The announcement came during the BSO\u2019s annual Gala, which raised an estimated $900,000. But that generous outpouring was dwarfed by the announced gift, of $6 million by the Zanvyl and Isabelle Krieger Fund. The gift to the BSO\u2019s endowment has been earmarked for the newly established Zanvyl and Isabelle Krieger Endowed Fund for Education. The income derived from the Fund will support the orchestra\u2019s wide range of educational programs, including side-by-side concerts with Baltimore City Schools students and its longstanding \u201cMusic for Youth\u201d and \u201cTiny Tots\u201d series\u2014symphony concerts performed for schoolchildren of Baltimore and many surrounding counties.<\/p>\n The Gala was just the beginning of the BSO\u2019s long-planned celebration of its 100th season. Many of the guest soloists have connections to Baltimore, such as Hilary Hahn, Leon Fleisher, and Andr\u00e9 Watts, and the season\u2019s programs will feature many works by Baltimore-born or -based composers, including Christopher Rouse, Philip Glass, James Lee III, Jonathan Leshnoff, Alan Shulman, and Kevin Puts.<\/p>\n Rally in Hartford<\/b><\/p>\n ICSOM Chairperson Bruce Ridge joined AFM President Ray Hair, SSD Director Jay Blumenthal, SSD Negotiator Nathan Kahn, ROPA Treasurer Donna Loomis, Connecticut AFL-CIO President Lori Pelletier, Hartford Local 400 President Joseph Messina, and others at the steps of the Connecticut state capitol in September to rally in support of the Hartford Symphony Orchestra. The orchestra has been embroiled in negotiations for more than nine months, facing proposed cuts of almost 40% plus onerous changes to work rules.<\/p>\n ICSOM Chairperson Bruce Ridge and Hartford Local 400 President Joseph Messina In his speech, Ridge stressed the importance of investing in the arts for the tangible economic benefits as well as the more commonly identified intangible benefits, saying \u201cWe should not be asking if Hartford can continue to support the musicians of its world-class orchestra, but rather we should ask how can Hartford afford not to?\u201d<\/p>\n At the conclusion of the speeches, the attendees proceeded to march in downtown Hartford, including past the Bushnell Performing Arts Center, home of the HSO. New Jersey Symphony Orchestra Alternate Delegate Martin Andersen, who attended, reports that the crowd numbered approximately 200. \u201cIt was certainly an inspiring day. Well worth spending seven hours in a car.\u201d<\/p>\n Oregon and Nashville Have Record Years<\/b><\/p>\n The Oregon Symphony and the Nashville Symphony both announced that they achieved new records in the 2014-15 season, both in ticket sales and donations.<\/p>\n In Oregon, total tickets sold last year were up by 4% over the previous year, and almost a fifth of those tickets were sold to audience members who were going to see the orchestra for the first time. Nearly a quarter of the orchestra\u2019s concerts sold out last year. Growth in ticket sales was equally robust in the categories of classical concerts (up 5%) and subscriptions (up 4%). Overall ticket sales were up 18% over 5 years ago.<\/p>\n In contributed revenue, almost 4,800 individuals collectively gave almost $3.6 million, with almost half of them donating for the first time. This year\u2019s Gala alone raised $700,000, the most successful in the orchestra\u2019s history.<\/p>\n Taken together, the good news meant a sixth consecutive season of budgetary surplus. \u201cIn the end, it is the music and its powerful effect on people of all ages and walks of life that drive all that we do,\u201d Oregon Symphony President Showalter said. \u201cWe work to bring joy to our community through music.\u201d<\/p>\n The record year in Nashville was the second consecutive such year. The Nashville Symphony took in more than $9 million in ticket revenue, an increase of almost 3%, and sold 79% of available tickets, up 2% from the previous year. And the news was even rosier in donations: the orchestra raised more than $6.7 million, an increase of 12% over the previous year.<\/p>\n \u201cWe are incredibly proud of the Nashville Symphony\u2019s phenomenal progress, which is truly a testament to our amazing musicians, staff and volunteers, and simply would not be possible without the overwhelming support of the entire Middle Tennessee community,\u201d Nashville Symphony President and CEO Alan Valentine said in a media release.<\/p>\n Lost Stravinsky Work Discovered<\/b><\/p>\n As recently reported in the Guardian<\/i> newspaper in London, shortly after the death of Rimsky-Korsakov in 1908, his soon-to-be-famous student Igor Stravinsky composed an orchestral work, Funeral Song<\/i>, in his memory. It was performed a single time, in January 1909 at the St. Petersburg Conservatoire, but was assumed destroyed during the 1917 revolutions or their aftermath.<\/p>\n Although searches had been made over the years in the Conservatoire\u2019s archives, they had been unsuccessful. Then in 2014, the building housing the archives had to be vacated, and manuscripts were discovered behind stacks of piano and orchestral scores. One astute librarian recognized the parts to Funeral Song<\/i> and brought them to the attention of Natalya Braginskaya, a Russian musicologist who had been searching for them. She described the rediscovered work in a paper delivered at a conference of the International Musicological Society on Stravinsky, in September.<\/p>\n Further information is available at <\/span>http:\/\/www.theguardian.com\/music\/2015\/sep\/06\/igor-stravinsky-lost-work-emerges-after-100-years<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"![\"The](\"http:\/\/www.icsom.org\/senzasordino\/wp-content\/uploads\/2015\/10\/vanbeethoven_interior1_kelleramsey-large1.jpg\")
![\"ICSOM](\"http:\/\/www.icsom.org\/senzasordino\/wp-content\/uploads\/2015\/10\/RidgeMessinaHartford-large.jpg\")
Photo credit: Martin Andersen<\/span><\/p><\/div>\n