In October, the Kansas City Symphony premiered a new work for children\u2019s chorus and orchestra at a series of Young People\u2019s Concerts and the sensory friendly concert Postcards from the Americas. The orchestra\u2019s principal music librarian, Elena Lence Talley, personally commissioned \u201cCome and Sing a Song with Me\u201d from composer Gary Fry.<\/p>\n
Talley commissioned the work, with lyrics in English and Spanish (and a version entirely in Spanish, translated by KCS principal horn, Alberto Suarez), \u201cin honor of my father and his family, who came here from Cuba, and in honor of immigrants of every hue and background,\u201d she said. The work is scored in such a way that it can be performed by large or small orchestra, with an audience sing-along or a vocal solo.<\/p>\n
In describing the piece, Fry said, \u201cFor me, music is the very best way to connect with people. When singing or playing music together, it\u2019s easier to realize how alike we are, even if we are from very different backgrounds or different parts of the world. If they (kids) take this song to heart, I really believe that the world can be an even better, more beautiful place to share.\u201d<\/p>\n
Talley intended the three-minute work to have a place on educational concerts, not just for the KCS, but for all orchestras. To that end, she and Fry are making the music (full score, orchestra parts, piano\/vocal score, and educational materials) available in PDF format free of charge to any organization that requests it. (Note: those interested in the music may contact Talley at etalley@kcsymphony.org or 816-218-2644.)<\/em> Already, in the Kansas City area, several schools have reported that they are programming the song on their own concerts.<\/p>\n \u201cI must say how proud I am of both Elena and the KCS for not only the new piece but also its free access to interested orchestras,\u201d said ICSOM President Emeritus Brian Rood. \u201cIt is noteworthy and should be shared with musicians across ICSOM.\u201d<\/p>\n The Detroit Symphony Orchestra (DSO) announced in November that it would embark on a project to provide a musical instrument to every school student in Detroit who wants to learn to play. The initiative is also intended \u201cto bolster economic and workforce development in Detroit,\u201d according to a DSO press release.<\/p>\n Titled Detroit Harmony, the project already has funding for the first phase\u2014an 18-month planning phase\u2014with major support from the Ralph C. Wilson, Jr. Foundation and the Max M. and Marjorie S. Fisher Foundation.<\/p>\n Caroline Cummings Rafferty, chair of the Max M. & Marjorie S. Fisher Foundation\u2019s Arts & Culture committee added, \u201cMy grandmother and grandfather were deeply committed to supporting the work of the leaders, musicians, and educators of the Detroit Symphony. My father Peter, my uncle Phillip, and so many in the family have built on that passion. Detroit Harmony is the latest important contribution and investment the DSO has made in the creative education of our city\u2019s youth, and we are grateful to be a part of it.\u201d<\/p>\n The DSO also said that Detroit Harmony was a direct result of the orchestra\u2019s Social Progress Initiative and the commitment the orchestra made in 2017 to improve the qualify of life for all residents of the city.<\/p>\n \u201cThe DSO has the responsibility and the opportunity to drive social progress forward for a stronger Detroit, and every child in our city will again have the opportunity to explore all that music has to offer in learning to play an instrument,\u201d said Mark Davidoff, Chairman of the DSO\u2019s Board of Directors. \u201cAs a leader in music education and a stakeholder in the economic success and creative vibrancy of Detroit, the DSO believes it can and must play a leadership role in building extraordinary partnerships between schools, arts and culture program providers, and funders that can fulfill this mandate.\u201d<\/p>\n In November, the National Symphony Orchestra (NSO) announced the launch of its new, eponymous record label, in partnership with LSO Live. It joins several other ICSOM orchestras that have taken similar steps since the turn of the century, including the San Francisco Symphony and the Chicago Symphony Orchestra.<\/p>\n The first release on the new label, which is planned for February 21, 2020, will be a recording of Copland\u2019s Suite from Billy the Kid<\/em> and Dvo\u0159\u00e1k\u2019s Symphony No. 9. These performances were recorded live in the Concert Hall of the John F. Kennedy Center for the Performing Arts in June 2019, conducted by NSO Music Director Gianandrea Noseda. \u201cThe National Symphony Orchestra and I . . . believe recordings are an essential part of an orchestra\u2019s life because they capture singular musical experiences for future generations to enjoy,\u201d said Noseda.<\/p>\n LSO Live, the label of the London Symphony Orchestra that was created in 1999, will support the development and distribution of the NSO label. The NSO is the first US orchestra to partner with LSO Live, whose other distributed labels include those of the Mariinsky Theater and King\u2019s College, Cambridge.<\/p>\n \u201cWe are excited that the release of our first recording with Maestro Noseda will inaugurate this new label,\u201d said Robert Rearden, co-chair of the NSO orchestra committee. \u201cWe think it will be an excellent way to launch our first international tour under his leadership.\u201d<\/p>\n Future planned recordings for the new label include the complete cycle of Beethoven symphonies in May and June of 2020, in celebration of the Beethoven sestercentennial.<\/p>\n The Boston Symphony Orchestra (BSO) recently welcomed the Leipzig Gewandhaus Orchestra (GHO) to Boston for its celebration of \u201cLeipzig Week\u201d. The mini-festival featured performances by the GHO alone and, more unusually, several performances of a program by a combined orchestra, all conducted by their shared music director, Andris Nelsons.<\/p>\n The festival is part of a planned five-year alliance between the two orchestras that launched in February 2018. The alliance has already fostered residencies and tour stops of each orchestra in the other\u2019s home city, musician exchanges between the groups, and co-commissions of new works as well as shared and complementary programming.<\/p>\n The GHO performances, on October 27 and 29, were intended in part to commemorate the 30th anniversary of the Peaceful Revolution and the fall of the Berlin Wall that was its culmination.<\/p>\n The orchestra on stage for the combined orchestra performances comprised about 40 members of the GHO together with a group of BSO musicians that rotated between pieces, so that virtually every member of the BSO was involved in the performance. Each section of the orchestra was a combination of GHO and BSO players. One of the works on the program, the Sinfonia Concertante in B-flat for oboe, bassoon, violin, and cello, by Haydn, featured two soloists from the BSO (John Ferrillo, oboe, and Richard Svoboda, bassoon) and two from the GHO (Frank-Michael Erben, violin, and Christian Giger, cello).<\/p>\n The festival also included ancillary events, such as a performance at the Boston Public Library featuring one wind quintet from each orchestra playing alternate movements of Reicha\u2019s Quintet for Winds in E-flat Op. 88, No. 2, with a panel discussion of the \u201csonic differences\u201d between the two groups.<\/p>\n \u201cThe GHO-BSO exchange has been an extremely positive experience for musicians on both sides of the program,\u201d said James Markey, BSO orchestra committee chair. \u201cIn addition to experiencing different schedules and overall environments, musicians on both sides are able to share experiences, stories, and knowledge with their colleagues in both the other orchestra and their own. It has fostered growth and appreciation for what each orchestra has, as well as initiated conversations regarding ways in which each ensemble can continue to grow.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"New Motown Harmony<\/h4>\n
Noseda\u2019s New Label<\/h4>\n
Boston-Leipzig Alliance<\/h4>\n