Whereas, The role that members-at-large play on the governing board has expanded and their contribution has long gone unrecognized and unpaid; therefore, be it<\/p>\n
Resolved<\/b>, That Article IX \u2013 DUES and FINANCES Section 7<\/b>, be amended to read:<\/p>\n
The Chairperson shall receive a yearly honorarium of $3,000. The President, Secretary, Treasurer, and Editor of Senza Sordino<\/i> shall each receive a yearly honorarium of $2,000.\u00a0Each Member at Large shall receive a yearly honorarium of $1,000.\u00a0The Secretary shall also receive an additional $700 in recognition of his\/her efforts in compiling, preparing, and distributing the minutes of the Annual Conference. The Editor of Senza Sordino<\/i> shall also receive an additional honorarium of $150 per edition of Senza Sordino<\/i> in recognition of his\/her efforts in the preparation and distribution of said publication.<\/p>\n
Submitted by Nicole Jordan (The Philadelphia Orchestra), Miles Maner (Chicago Symphony Orchestra), and Peter de Boor (Kennedy Center Opera House Orchestra)<\/i><\/p>\nThe following ICSOM Bylaw was adopted:<\/b><\/b><\/h4>\n
Whereas, The conference agenda order specified in Article VII \u2013 MEETINGS, Section 8<\/b>, has been waived several times in the past few years; and\u00a0<\/span><\/p>\n Whereas, Allowing the Governing Board to determine the order will improve the flow of the conference but still assure all items are included in the conference agenda; therefore be it<\/p>\n Resolved<\/b>, That the following changes be implemented:<\/p>\n The\u00a0order of\u00a0business shall\u00a0include the following\u00a0be as follows,\u00a0with the order of presentation determined by the Governing Board\u00a0unless changed by a majority of voting delegates present:<\/p>\n Submitted by the ICSOM Governing Board<\/i><\/p>\n Whereas, ICSOM bylaws should reflect a culture of inclusivity; therefore, be it<\/p>\n Resolved, That all gendered pronouns in the ICSOM bylaws shall be replaced with non-gendered pronouns.<\/p>\n Submitted by Warren Powell (The Florida Orchestra), Leslie Ludena (San Francisco Opera Orchestra)<\/i><\/p>\n Adopted by unanimous consent<\/i><\/p>\n Whereas, There have been significant events that have publicly come to light involving victims and survivors of sexual assault and harassment within our industry; and<\/p>\n Whereas, An environment still exists in which power structures create an atmosphere where some can act with impunity; and<\/p>\n Whereas, All musicians have the right to be treated with dignity and respect, free of harassment or harm; and\u00a0<\/span><\/p>\n Whereas, Musicians have a right to feel safe and heard in reporting acts of sexual misconduct; therefore, be it<\/p>\n Resolved<\/b>, That the officers and delegates to the 2024 ICSOM Conference stand in solidarity with and support of all victims of sexual misconduct within our member orchestras; and, be it further<\/p>\n Resolved<\/b>, That the officers and delegates of ICSOM commit to providing resources for support and healing of survivors of sexual assault and harassment within our member orchestras, and urge that all orchestra musicians, employers, the AFM, and AFM Locals take steps to eliminate all forms of sexual misconduct.<\/p>\n Submitted by Debbie Brooks (Fort Worth Symphony Orchestra), Nicole Jordan (The Philadelphia Orchestra), Emily Levin (Dallas Symphony Orchestra), Bridget Pasker (Phoenix Symphony), Jessica Phillips (Metropolitan Opera Orchestra)<\/i><\/p>\n Whereas, A thriving orchestra both depends on and contributes to a vital urban center; and<\/p>\n Whereas, A vital urban center is in turn dependent on the safe and easy movement of its citizens; and<\/p>\n Whereas, Reliance on private automobiles for such movement contributes to climate change, creates other forms of air pollution, and reduces the walkability of the city, which in turn makes it less vital; and<\/p>\n Whereas, Many metropolitan transit systems have been experiencing crises since the pandemic, including New York, Chicago, and Washington DC; therefore, be it<\/p>\n Resolved<\/b>, That the officers and delegates to the 2024 ICSOM Conference\u00a0call for increased public support for mass transit and urge all ICSOM members to take action locally to increase that support.<\/p>\n Submitted by Peter de Boor (Kennedy Center Opera House Orchestra), Alex Jacobsen (National Symphony Orchestra)<\/i><\/p>\n Whereas, When Frances Darger retired in 2012, at age 87, from the Utah Symphony, she held the\u00a0unofficial world record\u00a0for the longest tenure of any musician performing with an orchestra; and\u00a0<\/span><\/p>\n Whereas, Frances was a strong supporter of the AFM and continued to support the Utah Symphony by attending concerts and remaining in Local 104 and ICSOM as an emeritus member; and<\/p>\n Whereas, In 1942, at age 17, she joined what would become the Utah Symphony and played there\u00a0for 69 years, dying on July 30, 2024, of natural causes at the age of 99; and<\/p>\n Whereas, The Salt Lake Tribune wrote about Frances, paying tribute to her contributions to the Salt Lake community; therefore, be it\u00a0<\/span><\/p>\n Resolved<\/b>, That the officers and delegates to the 2024 ICSOM Conference recognize and honor Frances Darger for her strength and support to the larger family of union musicians.<\/p>\n Submitted by Veronica Kulig (Utah Symphony Orchestra); seconded by Jacob Shack (Baltimore Symphony Orchestra)<\/i><\/p>\n Whereas, In 2022, Bert Witzel of the Indianapolis Symphony Orchestra took on the significant responsibility of redesigning the ICSOM website; and<\/p>\n Whereas, He conducted extensive research to design a\u00a0new, more modern front end to\u00a0the ICSOM website; and<\/p>\n Whereas, Bert\u2019s expertise and vision led to substantial enhancements to the ICSOM website, notably improving its user-friendliness on mobile devices; therefore, be it<\/p>\n Resolved<\/b>, That the officers and delegates to the 2024 ICSOM Conference extend their deepest gratitude and appreciation to Bert Witzel for his dedicated efforts in ensuring that ICSOM continues to communicate effectively.<\/p>\n Submitted by the ICSOM Governing Board<\/i><\/p>\n adopted by unanimous consent<\/i><\/p>\n Whereas, Rob Schumitzky has been a member of the Pacific Symphony for the past 31 years; and<\/p>\n Whereas, He has served on numerous committees for the Pacific Symphony, including as union steward since 1998 and on the orchestra\u2019s current negotiating committee; and<\/p>\n Whereas, Rob was the first delegate to represent the Pacific Symphony when it joined ICSOM in 2021; and<\/p>\n Whereas, He was elected to fill a one-year position as ICSOM member-at-large in 2023; and\u00a0<\/span><\/p>\n Whereas, Rob will step down at the end of this conference; therefore, be it<\/p>\n Resolved<\/b>, that the officers and delegates to the 2024 ICSOM Conference offer their thanks to Rob Schumitzky for his service on the ICSOM Governing Board during the 2023\u201324 season, and offer him their very best wishes during the upcoming 2024\u201325 negotiations for the Pacific Symphony, and for all his future endeavors.<\/p>\n Submitted by the ICSOM Governing Board<\/i><\/p>\n adopted by unanimous consent<\/i><\/p>\n Whereas, Jessica Phillips has been a member of the Metropolitan Opera Orchestra since 2001; and\u00a0<\/span><\/p>\n Whereas, She has been in many leadership positions in her orchestra, and has also served on the orchestra\u2019s negotiating and orchestra committees; and<\/p>\n Whereas, Jessica is also a dedicated teacher at The Juilliard School and the Manhattan School of Music Center for Community Impact and Career Readiness; and\u00a0<\/span><\/p>\n Whereas, She has co-founded a nonprofit organization\u2014the MET Orchestra Musicians\u2014in 2014, through which the MET Orchestra gives back to underserved communities in and around New York City, along with K+P Strategy, which disrupts the perception of classical music as inaccessible, irrelevant, and high-brow; and<\/p>\n Whereas, Jessica was elected to fill a one-year position as ICSOM member-at-large in 2023; and\u00a0<\/span><\/p>\n Whereas, She will step down at the end of this conference; therefore, be it<\/p>\n Resolved, That the officers and delegates to the 2024 ICSOM Conference offer their gratitude to Jessica Phillips for her service on the ICSOM Governing Board during the 202324 season, and extend their best wishes for many years of success in her career and in all her future endeavors on behalf of musicians.<\/p>\n Submitted by the ICSOM Governing Board<\/i><\/p>\n adopted by unanimous consent<\/i><\/p>\n Whereas, Paul Austin has been a member of the Grand Rapids Symphony since 1999, serving his orchestra on numerous committees and as his orchestra\u2019s first ICSOM Delegate; and<\/p>\n Whereas, He has also contributed on a national level, serving as member-at-large and vice-president of ROPA until the Grand Rapids Symphony joined ICSOM in 2013; and<\/p>\n Whereas, In 2015, Paul was elected to a two-year term as ICSOM member-at-large, followed by his election in 2017 to the office of ICSOM president; and<\/p>\n Whereas, During his seven-year tenure as ICSOM president, he oversaw all of ICSOM\u2019s social media, led the charge to revive the ICSOM Conductor Evaluation Program and move it online, hosted ICSOM\u2019s successful 60th anniversary conference in 2022, and established ICSOM\u2019s monthly video series Musician Profiles: Celebrating Racial Diversity, which he hosted in its first season; and<\/p>\n\n
Resolution to Update ICSOM Bylaws with Gender Neutral Pronouns<\/b><\/h4>\n
Resolution to Support Victims and Survivors of Sexual Misconduct<\/b><\/h4>\n
Resolution in Support of Mass Transit<\/b><\/h4>\n
Resolution Remembering Frances Darger<\/b><\/h4>\n
Resolution Thanking Bert Witzel<\/b><\/h4>\n
Resolution to Thank Rob Schumitzky\u00a0<\/span><\/b><\/h4>\n
Resolution to Thank Jessica Phillips<\/b><\/h4>\n
Resolution to Thank Paul Austin and Confer the Title of ICSOM President Emeritus<\/b><\/h4>\n